Susan Brubaker Knapp
Mooresville, North Carolina
2. Describe
your studio space? My studio is in a former guest room in our home, and
it’s about 14’ x 14’. I have a two large windows, a raised work table
for cutting and painting, a sewing cabinet with my Bernina machine, a
large design wall, and way too much stuff. I yearn for a bigger, more
organized space, and especially one where I can get really messy.
3. Where can people see your work in the next six months? I'll have pieces in the “World of Beauty” exhibition and the Dinner @ Eight Artists exhibition at International Quilt Festival in Houston this fall, and a piece in the “Threads of Resistance” exhibition that will be traveling the country through 2018.
5. What other activities do you
engage in that “feed” your creative energy? Pretty much everything I do
feeds my creativity. (Today I went to a medical appointment and came up
with 10 new ideas for art quilts.) My favorite hobbies – geneaology,
drawing, photography, cooking – all play a big role. My morning walks
are a major source of material.
Mooresville, North Carolina
1. What kind of challenges did this theme present to you?
This theme was more difficult for me than usual. I think it was because
it took my brain in so many different directions at once… There was the
“personal iconography” component and the “graffiti” component. How to
marry them together in a unified piece? What WAS my personal
iconography, anyway? I considered making it look like those Russian
religious icon paintings, framed in gold, and rich in symbolism. Did the
word “graffiti” mean that it needed to have a graffiti look to it? I
researched graffiti and found a wide range of styles. I chewed over the
theme for a very long time before deciding to work on a portrait of my
daughter. I don’t usually do faces, so I sweated a great deal about
executing the face and stitching it.
3. Where can people see your work in the next six months? I'll have pieces in the “World of Beauty” exhibition and the Dinner @ Eight Artists exhibition at International Quilt Festival in Houston this fall, and a piece in the “Threads of Resistance” exhibition that will be traveling the country through 2018.
4. Do you ever work in a
series? If so, what benefits or challenges does this present to you as
an artist? I love working in series (I was on a butterfly kick a while
back, and now I’m obsessed with fish!), but I also find it to be
constraining. My biggest problem is that I have so many ideas that I
will never have time to work on them all unless I become a vampire and
can live eternally.
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