Susie Monday
Pipe Creek, Texas
https://www.susiemonday.com/
1.
What is sitting on the edges of your work table? Piles of fabric,
snippets of threads, iron, T-square, pincushion, scissors, Xacto knife,
small cutting mat, scraps of fusible webbing.
2.
If someone looked beneath the surface, what could be revealed that we
might not know about you? Part of my process is making up stories about
what’s happening with my art and talking back and forth with it.
3. What occupies the space between your sewing machine and your cutting table? Space. Floor. A lot of snips of thread.
4. What is the most exquisite moment in your artistic life? Starting. That first big dive into something new.
5.
Do you have daily rituals in your studio? I watch reality TV like
Master Chef and Project Runway reruns when I design to keep the inner
critic occupied.
6. Reflecting on the quilts that you have made, which one stands out to you? The next one.
7. What do you have an affinity for in your work? Color, shape, symbols, movement.
8.
What kinds of patterns do you use in your work to create interest and
texture? I love to add what I think of as energy and movement with
repeated Xs, both large with fabric strips and small with embroidery
floss stitches. Dots are important, too, usually when I want to fill
some shape or space with the idea of seeds, stars, sounds.
9.
What personal iconography is identifiable to you exclusively in your
work? Repeated hands, detached heads, shapes traced around my own body,
face, hands.
10.
What was your inspiration for the Best of Dinner at Eight? Taking one
more swipe at Personal iconography using letter forms, enlarged dot
patters from newspaper collage, and more of those energy Xs — a riff on
two other accepted pieces in Dinner@Eight e habits, this time using a
photo detail of the first quilt, enlarged and altered on my iPad. The
journey to this quilt started with a paper collage and traveled a long
way.
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