Monday, September 10, 2018

Artist Profile: Judy Coates Perez

Judy Coates Perez
Sacramento, CA

1. What is sitting on the edges of your work table? piles of freshly packaged thermofax screens, painted samples just photographed for a blog post, buckets of paintbrushes

2. If someone looked beneath the surface, what could be revealed that we might not know about you? I’m actually an introvert who suffered horrible panic attacks in my early 20’s because of shyness, but after confronting my paralyzing fears of large groups and crowds, I gained confidence and learned how to enjoy being more of an extrovert. 

3. What occupies the space between your sewing machine and your cutting table? my sewing machines sits in the corner of my 4' x 8’ work table that's also my cutting table, so it's covered with an ever changing variety of supplies and projects.

4. What is the most exquisite moment in your artistic life? showing my clay dragon to Liberace when I was 16, LOL! Seriously, I don’t know, that’s a tough one to answer since there's been many exquisite moments, but I really did show my dragon to Liberace when he stayed at the small bed and breakfast I was working at in Bodega Bay in high school.

5. Do you have daily rituals in your studio? no

6. Reflecting on the quilts that you have made, which one stands out to you? Right now Polychromatic Predilection from last years exhibit.

7. What do you have an affinity for in your work? painting

8. What kinds of patterns do you use in your work to create interest and texture? I love creating patten with stamps that I make.

9. What personal iconography is identifiable to you exclusively in your work? graphic painted imagery

10. What was your inspiration for the Best of Dinner at Eight? A small painting (on canvas) of a squid that I painted earlier in the year based on an old scientific diagram.

Friday, September 7, 2018

Artist Profile Series: Victoria Findlay Wolfe





Victoria Findlay Wolfe
New York City, New York
http://www.vfwquilts.com/

1. What is sitting on the edges of your work table? Nothing. I need to fix that. right. now.

2. If someone looked beneath the surface, what could be revealed that we might not know about you? That I'm very tired...and that I will be taking a few steps back to enjoy my life, my husband, and some travels with friends.

3. What occupies the space between your sewing machine and your cutting table? My huge ironing table and several boxes of quilts in progress.

4. What is the most exquisite moment in your artistic life? That moment when you get an idea and you physically tingle, and your eyes grow wide in excitement.

5. Do you have daily rituals in your studio? I sit at my machine in the morning with my coffee and bagel and look at what is hanging around on my design walls, savoring a few minutes or peace.

6. Reflecting on the quilts that you have made, which one stands out to you?  This current quilt sums up  years of my life. My family life is in transition with my daughter heading off to college, my quilts are in transition, and all my ideas fell into place easily on this quilt. It just feels like a complete thought and a capsule of time.

7. What do you have an affinity for in your work? Thing that look more complicated then they are....

8. What kinds of patterns do you use in your work to create interest and texture?  Layers of fabric/thread/and shapes.... Getting depth with color, and adding stitching or appliqué or other techniques to get a visual texture.

9. What personal iconography is identifiable to you exclusively in your work? Scrappy made fabrics or use of many small pieces of fabrics.

10. What was your inspiration for the Best of Dinner at Eight?  Looking deep. Looking at my family time, personal time, how time flies, the chunk of time raising my daughter, the time we take off of work for family trips, Looking at myself and my work... So many of the past ten year themes seemed to fit into this quilt... From the space between, to patterns, to personal iconography, to beneath the surface... Nearly every theme seemed to fit the imagery & idea I chose, and feeling I held for this quilt.  Thank you for a great 10 years of exhibits!


Thursday, September 6, 2018

Artist Profile: Anne Hammond



Anne Hammond


1. What is sitting on the edges of your work table? Rulers, seam ripper and fabric

2. If someone looked beneath the surface, what could be revealed that we might not know about you?  I was born in Denmark and moved here after I met my American husband. My quilts seems to reflect more of my Danish roots, as I explore into my artist life. More shapes looking like Viking Boats or Dolmens( ancient grave sites with large stones). Water, high sky, midnight sun, winter Solstice and storms.

3. What occupies the space between your sewing machine and your cutting table? Mountains of fabric

4. What is the most exquisite moment in your artistic life? Winning First Place in Abstract Large category in 2017

5. Do you have daily rituals in your studio? No

6. Reflecting on the quilts that you have made, which one stands out to you? A new one called Motherhood. My series of Lines Of Communication also stands out.

7. What do you have an affinity for in your work? Colors. I like to use unusual color pairings.

8. What kinds of patterns do you use in your work to create interest and texture? Color, shape and line.

9. What personal iconography is identifiable to you exclusively in your work?  I have worked with line for a while but are now moving into working with shapes and how they relate to each other. 

10. What was your inspiration for the Best of Dinner at Eight? I took a David Hornung class on Design and made this juxtaposition; circle on top and straight lines on the bottom, and wanted to explore that more. I was making this quilt during a storm at my beach house, and convinced my self to stay calm, since the foundation of the house is strong; that I would be fine. Of course it also relates to how I feel about our current political climate and the need to remind my self, the foundation of is country is strong and we can out ride this storm too.

Wednesday, September 5, 2018

Artist Profile: Virginia Spiegel


Virginia A. Spiegel
Byron, Illinois

1. What is sitting on the edges of your work table? A box of metal paper
fasteners, a cone of blue thread, three pair of scissors, a box cutter, a
pattern (perhaps the only one I have ever made) cut from butcher paper, a
multi-part WIP, a bone folder, a purple sharpie, a metal square, a lint
remover. I am only in the studio in the summer when forced by the weather or
need to ship artwork. So I don't bother picking up, but do like to have an
artwork on the go.

2. If someone looked beneath the surface, what could be revealed that we
might not know about you?
I'm a terrific foodie: Interested in baking, jam
making, dehydrating, growing my own food, cooking and eating healthy food,
and seeking farmers who grow food responsibly.

3. What occupies the space between your sewing machine and your cutting
table?
The two tables abut, but there is currently a studio journal and a
notebook of my current exhibition paperwork laying directly behind my sewing
machine.

4. What is the most exquisite moment in your artistic life? Founding and
raising a quarter of million dollars for the American Cancer Society through
Fiberart For A Cause's wonderful supporters.

5. Do you have daily rituals in your studio? Only during the winter when I
like to start when it is still dark out.  I plug in extra overhead lights
and bask in the warm refuge of my studio.

6. Reflecting on the quilts that you have made, which one stands out to you?
I still have a hard time believing that I actually created "Moose Bay."  It
is such a large, unusual (metal paper fasteners in lieu of stitching), and
evocative artwork. It took a very long time conceptualize and create with
many layers of surface design.

7. What do you have an affinity for in your work? Meaning.

8. What kinds of patterns do you use in your work to create interest and
texture? 
I love circles and spirals, and any curved line that evokes water.

9. What personal iconography is identifiable to you exclusively in your
work?
Canoe shapes and the "Big Rock."

10. What was your inspiration for the Best of Dinner at Eight? My favorite
campsite on the "Big Rock" in the Boundary Waters.  It's a ritual for my
sister and I to sit on top the rock and survey the water-y world below. I
have been focusing on the Boundary Waters as subject matter for quite some
time as a way to bring awareness of this wilderness area that is under
attack by those who would develop it and exploit its resources.

Tuesday, September 4, 2018

Artist Profile: Hope Wilmarth






Hope Wilmarth
Spring, Texas

1. What is sitting on the edges of your work table? Bits of material, rotary cutter, computer, rulers, threads....all the usual suspects.

2. If someone looked beneath the surface, what could be revealed that we might not know about you? What you see is pretty much what you get. But I did go to school with Luci B. Johnson who is still my friend of so many years.

3. What occupies the space between your sewing machine and your cutting table? Scraps of material in disarray!

4. What is the most exquisite moment in your artistic life? When I got the call from Visions Contemporary Art Museum, San Diego, that they wanted to purchase "Urban Cathedral" for their permanent collection!

5. Do you have daily rituals in your studio? No...just get to work.

6. Reflecting on the quilts that you have made, which one stands out to you? "Be Someone", Dinner@Eight, 2017.

7. What do you have an affinity for in your work? piecing in black and white.

8. What kinds of patterns do you use in your work to create interest and texture? My go to style would be intuitive piecing.

9. What personal iconography is identifiable to you exclusively in your work? My fine line work, cutting fabric in 3/4" strips, piecing together to create "fabric" then cutting and re-piecing. 

10. What was your inspiration for the Best of Dinner at Eight? A photo taken on the Oregon coastline of waves hitting against the rocky shore causing a spectacular explosion of water.

Tuesday, June 26, 2018

Dinner at Eight Artists - Year 10 - Acceptances


Dinner at Eight Artists is pleased to present The Best of Dinner at Eight Artists: Celebrating 10 Years of Exhibitions. Each artist selected a theme from the last 9 years for what will be our last exhibition. Quilt size is 30” wide by 50” high. The exhibit is sponsored by Havel’s Sewing and Mistyfuse!

Artists considered the following: 
We've explored the Edges and the Spaces Between
We examined things Beneath the Surface
We all admit that we have Rituals
We shared our Exquisite Moments
We Reflected upon ourselves and the world around us
We expressed our Affinity for certain things
We've noted the many Patterns in our lives
and expressed ourselves through Personal Iconography

Congratulations! 

Artists Name, Title of Quilt, Theme
Frances Holliday Alford - Anke’s Tulips - Affinity
Sue Bleiweiss- Color My World - Personal Iconography 
Loris Bogue - Monet’s Garden - Affinity
Deborah Boschert - Glossary - Personal Iconography 
Cindy Cooksey - AM Constitutional- Rituals* pictured
Lauretta K. Crites - Cue Orchestra, Curtain Up! - Affinity
Diane R. Doran - Afterglow - Affinity
Suzan Engler- Triangular Sunrise - Exquisite Moment
Terry Grant - You Don’t Really Know Me Until You Look - Beneath the Surface 
Anne S. Hammond - Staying Calm - Beneath the Surface
Cathie I. Hoover - Roxie in the 1997 Halloweenie Parade - Exquisite Moment
Stacy Hurt - Asteraceae- Edges
Lyric Montgomery Kinard - Accession: Something Added - Personal Iconography 
Susan Fletcher King - My Divorce Quilt: Shredded - Beneath the Surface 
Sherry Kleinman - My Friend Winnie - The Space Between
Susan Brubaker Knapp - Drawn to the Light - Patterns
Karol Kusmaul - Lighting the Way - Exquisite Moment 
Kristin LaFlamme - Radiant Reflection - Reflections
Sherri Lipman McCauley - Test Patterns - Patterns
Susie Monday - Con Safo- Personal Iconography 
Jeannie P. Moore- Seeing Circles - Patterns 
Rachel K. Parris - In School Days - Affinity 
Judy Coates Perez - Inky- Beneath the Surface 
Heather Pregger - Water Music (Tuning Fork #51) - Personal Iconography 
Wen Redmond- Layers of Meaning - Personal Iconography 
Sarah Anne Smith - Pink Oyster - Edges
Virginia Spiegel - Boundary Waters 91 - Beneath the Surface
Cynthia St. Charles - Baja Californai- Exquisite Moment 
Ann Turley - Inca Dreams - Reflections
Valerie C. White - Catch of the Day - Affinity 
Libby Williamson- Clan of Misfits - Reflections
Hope Wilmarth - ExplOCEAN - Exquisite Moment 
Martha Wolfe - Ritsurin in the Rain - Exquisite Moment 
Victoria Findlay Wolfe - A Year in Moments - Exquisite Moment 
Kathy York - The Heron, The Kayak and the Grebes- Affinity 
Vivien Zeft - Daily Bar Code - Patterns

Jamie Fingal - Zen Stitching - Reflections
Leslie Tucker Jenison - Interstitial - The Space Between

Tuesday, October 31, 2017

Dinner at Eight Artists in Houston

We are so happy to finally be in Houston and see our exhibit



Dinner at Eight Artists



Thank you Mistyfuse for sponsoring our exhibit with us!



The exhibit is spread out in the hall - left to right - Rachel Parris, Sherri Mc Cauley, Gerrie Congdon, Valerie White and Susan Brubaker Knapp


Left to right -  d@8, Sue Bleiweiss, Linda Anderson, Rachel Parris, Sherri McCauley



Left to right - Heather Pregger, Hope Wilmarth and Lyric Kinard



Left to right -  Martha Wolfe and Jane Dunnewold 



Left to right - Susie Monday, Kristin LaFlamme, and Jeannie Moore



Left to right -  Annie Smith and Cindy Cooksey



Left to right -  Susan Fletcher King and Frances Holliday Alford



Left to right - Jamie Fingal, Leslie Tucker Jenison, Virginia Spiegel, Karol Kusmaul, Kathy York, Sherry Kleinman, Virginia Greaves and Judy Coates Perez 
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